Season Two: Exploring MARDI GRAS
Britrock website copyright EA Woolley
MARDI GRAS
Another mad episode from the second season, set in New Orleans,
Louisiana in the heart of the Mardi Gras celebrations. A bevy of masks,
charades and confusion welcome the Holograms and the Misfits to the
city, including a man who's rather too keen on Shana, the haunting
ghost of a pirate and a mischievous thief who's stolen some valuable
jewels! (Yes, I promise we are still in the Jem series. Normal service
WILL be resumed shortly....)
A small disclaimer - aside from the word "Melodicus", there are no
words given on the show to indicate spelling. I've done eight years of
French, and I've tried to give the names as accurately as I can do
based on their phonetic pronunciation. The only one with which I have
some issue is the name of the pirate which sounds like it should be
"Lafeet". That's not very French, and the closest I can manage is
Lafeyte or Lafete. The last should be definitively pronounced "La-fayte
or "La-Fette"...so I've gone for the former as a compromise. But truly,
I have no clue how his name is meant to be spelt.
SHANA
This episode is a rare thing. It's a Shana episode. And
boy is there a lot to say about her in this one. I'm gonna try and
break it down piece by piece, but it all kinda ties in together, so
bear with me.
The first thing that I think must be mentioned is pretty much the first
thing we see in the episode. Her loyalty and love for her absent
boyfriend, Anthony Julian. It's often been said (by me and others) that
Anthony and Shana's relationship is probably the most stable and solid
in the entire cartoon series. This is another example of just that
solidarity. Anthony himself is never in the episode - but Shana
considers him with her anyway. When Pierre L'Arquette, the "contact"
from Melodicus is flirting with her (he does it on several occasions),
she is uncomfortable - toying with her locket and eventually opening it
to reveal that she wears a picture of her boyfriend when she's away.
There's a lot surrounding this locket, too. On her first night in the
Maison Fleur hotel, Shana's locket is stolen by a mysterious thief. Her
immediate response is fear and in panic she flees the room, calling for
her friends. When L'Arquette hears about the theft, he calls it a
"trinket" - and this makes her angry, pushing him away. For most of the
episode Shana does not have her locket, but she is always careful not
to encourage the attentions of Pierre L'Arquette - even turning down a
lunch meeting which is supposedly business. I've mentioned it before,
but on several occasions we've seen Jem and Rio flirting and kissing
when away from "Jerrica's" watchful eye. Forgetting for a moment that
Jem and Jerrica are the same person - because Rio is unaware of it - it
paints a stark contrast to Shana and her solid, stable relationship.
(And it's worth mentioning that on occasion, Jem is flirting with
L'Arquette too - what is that girl's problem, anyway?)
JEM and the ISSUE
OF SECRECY
It may seem ironic to have this as a header and not be
discussing Jem and her alter-ego, Jerrica Benton. But in this
particular case, Jerrica is an irrelevance. Jem is Jem throughout the
whole of this episode, and her secret identity is never a theme. But
yet, there is a lot of secrecy going on. To begin with, the girls are
travelling to New Orleans without knowing even the name of the hotel
where they are likely to stay. They meet Pierre L'Arquette, but he is
unable to give them much more than little snippets of information at a
time. When they finally do arrive at the hotel, the butler, Maurice is
a little strange and withdrawn, and there is the matter of the missing
"Francois" who is mentioned once and then not again.
The biggest irony is that, with all these things adding up, Jem is
really not happy. She dislikes the secrecy. She's always pushing for
more information and she jumps to the conclusion that L'Arquette and
Maurice are actually jewel thieves, after eavesdropping on a
conversation. I am not sure whether her penchant for assuming the worst
in secretive people stems from her own insecurities about her double
life, or whether it's just the Jerrica control freak inside of her,
wanting to know all of the facts before she sets a foot forward. Maybe
it's a bit of both - but even L'Arquette comments on her demand for
detail!
LAFEYTE, LILY and
FORBIDDEN LOVE.
So
here we have the disturbing things rearing their head. First off, I'm
going to rant a little bit about repeated themes, so humour me for a
moment (or scroll down the page...either's good!) If you're familiar
with the Jem series (and if you're not, why are you reading these
anyway? LOL!) you'll know that in the first series the band goes to
Morvania, where they coincidentally find out the Crown Princess of the
country happens to look exactly like Kimber. And then, as the plot goes
on, Kimber's safety is threatened and, right at the VERY end - we have
Synergy playing on the superstitions of the local folk by projecting a
meaningful hologram to scare off the bad guys. Well, er...let's just
say that Mardi Gras follows several of those themes. Instead of Kimber,
it's Shana this time who has the mysterious "double." True, Shana's
"double", Lily Larose is a dead singer who lived around the time of the
pirate whose jewels the Holograms are going to wear. And instead of a
patriotic Morvanian dragon, the ghost at the end of the episode this
time is that of Lafeyte himself - but he is coming to protect Shana in
the same way the Morvanian dragon is meant to protect Adreana (or
Kimber, or both, since half the cast of the episode don't know t'other
from which).
Okay. With that little complain over, let's move on to Jean Lafeyte and
Lily Larose and their story. In a sense it is a story within a story -
there is no pictorial flashback to Lily or Jean, and most of what we
learn about them comes from Yvette, Lily's descendant. It's very easy
to blink and miss the most important themes of their story. The first
thing of note is that Jean was white and Lily was black. In fact,
Yvette tells us that their love was impossible for Lily because Jean
"was a slaver" - in other words, he trafficked in the slave trade
whilst it was still active in the South. The Jem series shies away on
numerous occasions from multiracial relationships - even in this one,
with Shana's admirer L'Arquette, he is still a black man interested in
a black woman. But the underlying love story promotes a mixed
relationship - which I find interesting!
Yvette also mentions the Battle of New Orleans, and General Jackson.
The jewels have also not been seen since 1814, which all ties up with
the historical date of the real battle. What I find interesting is that
Lily cannot love Jean for being a slaver, but she can help him because
she is a patriot, and does so in organising a meeting between him and
the General. We discover that Jean entrusted jewels with Lily and then
disappeared - never to return. What isn't clear is whether or not he
died a pirate or a soldier in the battle for New Orleans - the area
seems a little bit grey sometimes as to what his true role actually was.
I always like a deeper historical connection within a plotline, though
:) Makes it more interesting!
MAMA LOU and THE SUPERSTITIOUS SOUTH
Now, in truth I have absolutely no idea whether or not there is a large
underlying sense of superstition in Louisiana. But the impression given
in the episode is that there is -and it's that that I'm going to go
with for the next section of discussion.
Mama Lou is a weird old woman who wanders around the city making
cryptic and spooky predictions. Her first target is Shana, who she
calls "Lily" (obviously believing her to be the ghost of Lily Larose).
She warns her to beware of zombies on Fat Tuesday - which in a
roundabout way actually comes true because the Holograms are kidnapped
by the Zomboys (dressed up as zombies with a hearse, of course!) before
the parade. And Mama Lou's second prediction is made to the Zomboys and
the Misfits as they are plotting - she claims the ghost of Jean Lafeyte
will protect what is his, and this also comes true - but only because
Jem overhears one Zomboy mentions it and sends Synergy into holographic
battle.
Mama Lou's predictions aren't the real important thing, however. What
is more significant is how seriously or otherwise they are taken. Shana
seems to brush off Mama Lou's words until the night of the parade, when
she recalls them and hesitates before stepping into the hearse. And
from the moment Mama Lou speaks to the Zomboys, at least one of them is
seriously freaked out - suggesting a deep rooted superstition and fear
of the supernatural.
I'm not going to pretend to know the culture of Louisiana or much about
the actual Mardi Gras celebrations in New Orleans, because it would be
an insult to the native population for me to do so. But with all the
costumes and parades and masques going on, I can see how a little Mardi
Gras magic could potentially spill over into something more tangible...
EVERYBODY WEARS A MASK...
Including the star character of the show, of course! I have to make a
seperate heading for this because there are so many things in this song
and it's video that I think need to be picked out. The theme of the
song is linked in with Mardi Gras, and the celebrations. Jem and the
Holograms perform it dressed in costume with masks over their faces, to
fit into the style and the setting. Oddly, despite it's late appearance
in the series, this is one of the nicer and more haunting songs from
Jem's repertoire. Perhaps this is simply because it carries personal
resonance -at least, that's how it seems to me.
There are a few key lines. Obviously we could make several parallels
between her Jem identity and the "mask" reference. But there's more
than just this. Jem sings, "Can't tell one from another" and
"Underneath each mask I find another and another." Is this really about
people in disguise? People she can't read or understand? More likely,
in my opinion, it's a secret assessment of her own situation. By this
point, I doubt very much that she can tell "one from another" as
regards her two personalities. They're both there inside her, swirling
around and fighting for dominance. Is it any surprise that she's
confused?
And then there's the line, "Who should be accused?" Accused of what? It
seems an odd thing to sing, doesn't it? Unless of course, you connect
it with the idea that she's mixed up over who and what she's become. Is
she looking for someone to blame? Maybe that's too deep, but it's a
question I felt like raising anyhow.
On the other hand, there are a couple of hinting references which I
think are applicable in some form to Pizzazz. It's interesting to me
that she is the animated figure featured during the line "masking who
they are". She is blown up to huge size, attacking the Holograms and
looming over them in a threatening manner. I see this as an indication
Pizzazz is not all she pretends to be - that she's wearing a "mask" in
the music business as much as Jem herself. And, maybe MOST significant
of all is the scene where Pizzazz is pushing a mask at Jem, as if
forcing her to wear it. Is Pizzazz, then, the subconscious reason Jem
has to continue existing? This would suggest so. That Jerrica's
subconscious desire to put one over on the Misfits once and for all is
important to her - and so it's Pizzazz - not the Starlight girls or her
responsibilities to her father's memory - that is making her "wear the
mask."
Or it could simply be that Jerrica's raging paranoia has finally begun
to set in...
MISFITS and ZOMBOYS!
Oh, something has to be said here. You knew it was coming! Misfits and
Zomboys. Yes, there really are a creepy group of guys somewhere in
cartoon America who dress up as zombies and presumably, perform to
crowds. We never hear the Zomboys play, so we don't know what their
music sounds like. I'm thinking that this is probably a good thing,
judging from their other actions, but anyway.
Several things of note about the Misfits and the Zomboys. Firstly, this
is not the first time another musical act has been corrupted into doing
Misfitish dirty work. Eric had a band (whose name I cannot recall off
hand) rob and wreck records of Glitter and Gold, the Album. But the
Zomboys are a little different. There is no Eric and no money changing
hands. Pizzazz is in control of the Zomboys simply by being in control
of their leader, Neko. And when I say in control, I'm not kidding. I've
often been of the opinion that Pizzazz would not be averse to
exploiting her sexuality to get a job done, if it so benefited her
cause. This is almost as good as you'll get in terms of evidence for
that. Neko is totally besotted with her - he tells her to "Command me,
Mistress, command me!" and he assures her that, "I will do anything for
you, Pizzazz." She teases and flirts with him back on a minor level,
just enough to retain her control but not enough to actually put
herself in a dodgy situation. I like seeing her in a manipulative sex
kitten type role!
Then there are the characters themselves. We don't even know the other
Zomboys' names, but we do know something about one of them. He's
superstitious and he worries about things. Sound like anyone we know?
Well, oddly enough, Stormer doesn't act the Misfit with a conscience in
this episode. Nor is she a bitch - she's neither one way or the other.
But this Zomboy is basically doing her part for her. He's the one
asking if they should be doing things, he's the one freaking about Mama
Lou and her prediction. He's the one who Neko has to snap at, "Be a
Zomboy!". He's essentially Stormer in rags and bad face paint!
Two other things that need to be mentioned. Firstly, I actually have a
moment in this episode where I'd like to put hands to Jetta's throat
and squeeze, hard. You're surprised? Well, it;s when she says "you can
ruddy well rely on us, Ma'm!". Noone in this country would say that
without dying of shame and embarrassment within ten seconds. It's
awful. Truly awful. And yes, it makes me want to gag her.
And finally, the gratuitious Misfit bashing. I'm a little confused by
whether the Misfits are initially in New Orleans to sabotage the
Holograms or not, because they seem surprised to see their rivals - yet
Pizzazz and Stormer seem to know why they are there. But what gets me
is this bad habit writers have of abusing the Misfits simply because
they're the bad guys. Their music must suck. They must be "dreadful
creatures" and everyone must immediately hate them on sight. If they
were that hated, no amount of sabotage or cheating could ever make them
competition for Jem and the Holograms. That being the case, it's a
cheap blow and it does the episode no credit ^_^.
SOME
RANDOM OBSERVATIONS...
This is such a random episode that not everything fits nicely under
little headings. So the rest of my observings I've grouped up together
here. Of course, we've not yet mentioned the monkey-cum-jewel thief who
apparently slips around Maison Fleur stealing trinkets and lockets and
highly expensive jewels when the lights are off (and Yvette wonders why
she has few customers??) Francois is the missing "friend" alluded to
earlier in the episode, and he's apparently the last surviving
descendant of Lafeyte's own monkey (do we think them a little
obsessive?)
Now, I've assumed -and mentioned him as - the butler in this little
chaos fest, but Maurice is a character who interests me. Francois is
his friend. He's living in Yvette's house and he obviously has some
connection to the whole business. It's never actually said, but I think
he's some kind of relation or descendant of Lafeyte's and that explains
his friendship with Yvette and his involvement with Pierre L'Arquette
in wanting to protect the jewels from theft. It's entirely speculative,
but I wouldn't be surprised if it were the case. There's a certain
resemblance also...well...watch the episode and see what you think!
I'm also going to mention Synergy and her impromptu moment as a torch -
well, you know these holographic computers. Equipped for everything -
even lighting the way down secret passages when your owner is stupid
enough to fall through a bookcase!!
CONCLUSION
Well. After seeing this episode a few times, I still find it hard
going. I like the Misfit/Zomboy scenes, they make me laugh. I like
Shana's loyalty to Anthony and the song, Everybody Wears a Mask. Sadly
the other Jem song - Let Me Take You To The Mardi Gras - is abysmal in
it's lack of original lyrics, whilst the Misfit song, Surprise
Surprise, is a repeat from the first year. The plot has some
interesting undertones, but it's just a little bit "out there" for me
in many ways. Not one of the better episodes - but still one that
you're likely to remember (even if just because you're going, WTF?)
Episode rating: 6/10
Original site concept c. 2001
This version c.2014
Please ask before using the images on this site.