Season One: Exploring TRULY OUTRAGEOUS
Britrock website copyright EA Woolley
TRULY OUTRAGEOUS
(A.K.A The First Five Episodes)
OVERVIEW
The most important thing to say about Truly Outrageous is that this is
the beginning - as Jerrica says herself, "how it all began". This is the
pilot - five short episodes combined into one feature length programme.
But it must also be mentioned here that TO exists in multiple forms. There
are those original ten minute slots, there is the feature length "Truly Outrageous!"
and then, finally, there are the extended first five episodes, to which writer
Christy Marx added scenes to pad out the original ten minute episodes and
(in my opinion) give the whole episode(s) some more meaning. The split episodes
go by the following titles: The Beginning, Disaster (also called Setbacks),
Kimber's Rebellion, Frame Up and Battle of The Bands. But because they are
so often thought of as one unit, and since they tell one story within a story,
I have decided to cover them all here on the same page in as much detail
as possible :) Please note however that some of the examples that I refer
back to do NOT appear in the feature length Truly Outrageous, only in the
extended episodes. Occasionally scenes within the film have been changed,
too - for example in Truly Outrageous the private detective goes to get his
film processed, but in the extended episode he goes to check out ownership
records for the Starlight Drive in. This is the episode where the later "icons" for the bands are introduced, too - I don't know how often it's noticed,
but stars (like the earrings) and hearts tend to be associated with Jem and
the Holograms, whilst the Misfits prefer lightning bolts. There are exceptions,
but the video to Click/Clash emphasises these things most strongly. For the
Misfits especially, lightning is a recurring graphical theme in music videos,
clothing, earrings and even Stormer's make up. (Perhaps thats why it's so
weird one of the Holograms' second year outfits is called Lightnin' Strikes!)
But for the record, this is the only - yes, repeat, ONLY - time that I am
glad Jem and the Holograms won in the end. Why? Because otherwise there
would have been no plot for the next sixty episodes!!
JEM, JERRICA and THE DOMINANT PERSONALITY
One of the things which becomes very apparent throughout the Jem cartoon
series is Jerrica's many struggles with her Jem side. It's hard to know
when Jem becomes an equal in Jerrica's mind to her own personality, but
here, right at the beginning it is very obvious that Jerrica does not consider
Jem anything other than a tool. Jem is invented to help get Starlight Music
back from Eric Raymond, and, also, as a shield for Jerrica herself. It's
blatantly obvious that Jerrica feels confident in terms of administration
- at the end she says that she will make Starlight Music into something special,
and all the time she seems perfectly at home with the organisational side
of things. But somehow the wilder aspects of Jem's bouncy personality are
concepts which do not slip so easily into Jerrica's normal attitude. In order
to let go and do daring things, she has to relinquish her real identity and "be someone else". Maybe this is because she knows that the Starlight Girls
are her responsibility, as the eldest Benton child, and that she can not
quite escape the shackles her father's death has put on her. In any case,
by inventing Jem she has a means to just let loose and have fun.
The trouble with this is that Jerrica's personality is still dominant whilst
she is disguised as Jem. This creates multiple problems where Rio is concerned.
At many points during the episodes Jerrica seems hurt by Rio's behaviour
towards her as Jem - "Rio...do you like me?" "I hardly know you! And you
won't even tell me who you are!" This is indication that she is still thinking
like Jerrica (why is my boyfriend cold-shouldering me) when she is looking
like Jem. There are other examples too. When Jem is in danger after the LinZ
Pearce show fiasco, she immediately looks to Rio for comfort, not realising
how much she is confusing him by coming onto him as "another woman".
There are other indications that Jerrica is dominant and Jem is a "tool"
throughout the show. When Kimber runs off, Jerrica and the others head to
KMAX in order to get on the air, Jerrica knowing that the DJ will listen
to Jem, even if he won't listen to Jerrica. And when the Starlight House
burns down, Jerrica uses Jem to put on a concert in order to elicit Howard
Sands' sympathy for the plight of her Starlight waifs. This is probably the
best use of Jem throughout the whole of the series, because it proves that
Jerrica's consciousness is still in control and that she is not confused
by who she really is - something which will change as the series progresses.
Jerrica's concerns in the episode are to get her father's company back and
to raise money for the Starlight girls - both very "Jerrica" aims. As I've
said at other times, it is Jerrica who cares about the Starlight girls and
not Jem.
That is not to say that there are not examples of Jem/Jerrica's hypocrisy
in Truly Outrageous. Her attitude towards the Starlight girls is contradictory
at times, probably added to by her changing between Jem and Jerrica and
her preoccupation with the Misfits and with regaining her father's music
company. She tackles Ashley about stealing from the honour jar "There's
no place in Starlight House for girls who steal and lie", yet at the same
time she is deceiving the man she loves by not telling him that Jem is really
her. And most telling of all, the first example of Jem and the Holograms
pulling Jerrica's mind away from her responsibilities - when Jerrica takes
Ashley on about where she's been sneaking off to, their talk is cut short
by the fact that the man from the Las Vegas Casino is there to discuss a
concert. She puts the concert negotiations first, and as a result Ashley
is able to escape her questioning - "You can talk to the wall, Jerrica,
but little Ashley won't be here!".
STORMER and ASHLEY
I've decided that the easiest way to tackle the Misfits is to tackle them
and their roles as seperate entities. Stormer's role is linked with Ashley's
so strongly that I'm going to discuss them together - but starting with
Stormer and her seemingly strange role within the Misfits. At this stage
there is no indication of who writes the Misfits' songs. Stormer is clearly
third out of three - she's made to pay Ashley to open the gates, she's generally
told to do this or that (like taking the Holograms' stuff) rather than doing
it off her own bat, and she even sheds a tear at Howard Sands' house for
the plight of the Starlight Girls (please note that in Truly Outrageous it
is Roxy who sheds the tear - which thankfully was re-edited in the individual
episodes to something more logical!). Yet Stormer is not "soft". When the
Holograms appear on LinZ's show it is her who exclaims "Let's go!" in a
dominant, almost giving-orders type of way.
Stormer's battle with her conscience and her loyalty to the band which
she feels she can't be anything without is one of the themes that runs through
Truly Outrageous, and it's also one of the reasons so many people cite her
as a favourite character. This really begins with Ashley, for from the first
time Ashley comes to the Misfits for help, Stormer is interested in her
welfare - "what's your name?" and "We take care of our own!". It is Stormer
who seems to be keeping an eye on Ashley while she is with the Misfits -
and Ashley is not always happy about doing Misfit things unless Stormer
says so "It';s just a joke, Ashley!". When Ashley is unable to keep Aja
away from the casino, it's Stormer who finds her, and despite Ashley's fear
that it will mean retribution, Stormer assures her that she'd never hurt
her. Ashley confides in Stormer that she's afraid of Pizzazz and Roxy, and
Stormer admits that "they scare me too, sometimes." This is fairly key for
two reasons - Stormer is well aware that she is living a charade almost as
much as Jem is and that she is constantly keeping up with the other Misfits.
But they only scare her 'sometimes', so at least some of her time she is
happy enough in their company, and perhaps aspires to be a bit more like
them. We don't know how she came to be involved in the Misfits, but obviously
somewhere along the line something happened to pledge her allegiance to them.
Yet Stormer has a conscience. When the money is planted on Jem, she appears
in disguise to tell the police what she and Ashley overheard, even though
it can't possibly help the Misfits (the fact she does it incognito proves
that this is one of those things that she dare not speak out publically about
in front of her bandmates, yet she feels strongly enough about it to intervene.)
And when Ashley is trapped in the box, at first she leaves her there under
the pressure of the other Misfits, but it's clear that she hasn't forgotten
the kid, because when Ashley is in danger it is Stormer who screams out that
she's in the box, even though it more or less gives away what the Misfits
did with her, and more, it's done in front of her bandmates. It's obvious
to me that Stormer and Ashley develop a bond during Truly Outrageous which
is never touched upon again, and it's quite sad in a way. But then the Ashley
of Truly Outrageous is not the Ashley we see in later episodes.
SHANA, ANTHONY and JEM's SECRET
For some time I've considered Shana to be the most mature of the Holograms,
and Truly Outrageous bears this out. Firstly let's look at Anthony Julian,
LinZ's friend in the film business who ends up doing the Holograms' videos.
It's Jem who pushes Shana and Anthony together, claiming Shana has ideas
for the new video, and the fact that it should be SHANA with Anthony suggests
that level of "politically correct same-race relationships" that does seem
to happen quite a lot throughout the Jem show. Yet Shana and Anthony really
do hit it off, and by the time the band go to Paris you imagine that they
are at the beginning of a relationship which, even so late on in the series
as Mardi Gras is still strong and unwavering. (It is probably the only relationship
in the whole cartoon series which is actually stable.) Getting to know Anthony
is useful for the Holograms, because his help is invaluable when producing
a video, but then again Shana is so genuine that you can't possibly suspect
her of playing him just to get the Holograms ahead. It's simply not in her
nature and the longevity of their relationship also bears that out.
Shana's strong relationship is in contrast to Jerrica's wavering and unstable
one, and Shana is the one character who really sees it. While Aja is cracking
jokes about how Rio will be surprised when he finds out Jerrica is Jem,
Shana realises that it's a "sticky situation" that her friend has. Backstage
at the casino, she asks Jem if she's thought about what she should do, but
when Jem gives a negative response she says "You don't know what he'll do
if he knows the truth" in a somewhat disappointed tone, and walks out on
her (prompting the song, Deception). Shana is Jem's conscience in some part
through Truly Outrageous - her absolute forthrightness obviously makes her
disapproving of the fact that Rio does not know the secret. And yet, when
Kimber tries to tell Rio the secret in Paris, Shana tells her that, maybe
Rio should know the truth, but that it's Jerrica's job to tell him, and
not theirs.
JEM and RIO
I have to say something here in slight defence of Rio - this isn't something
that I do often, but it strikes me that Rio does his level best up to a
point to resist Jem's charms and keep loyal to Jerrica. He attempts to extricate
himself from the mess by trying to quit as Jem's road manager, but Jerrica
will not let him, despite him telling her that he "doesn't want to hurt
her." He pulls away from Jem's embrace saying that "this is wrong" and that
he "doesn't want to hurt Jerrica." Whether he is attracted to Jem because
she is Jerrica's funloving side, or whether it is based on her appearance
or voice is always open to speculation. Whether it's just that he's known
Jerrica his whole life and Jem is something new with a hint of mystery about
her - that's possible too. But when he drops Jerrica's photo in the I've
Got My Eye On You video, you sense that the battle is lost and that he is
in love with both girls, not knowing that they're both his girlfriend. Rio's
fondness for Jem becomes ever more apparent after he saves her life twice
- on the yacht when she falls overboard, and after the fiasco on LinZ Pearce's
set (Jem seems incapable of doing anything to save herself but screaming).
He tells Pizzazz that she's "not fit to breathe the same air as Jem" - which
spells the beginnings of a major crush, and when Jem takes off at the airport
to return as Jerrica, Rio also takes off, not wanting to meet his girlfriend
after spending so much time in Paris with Jem. Some of his later series behaviour
is fairly unforgiveable, but right at the start you can see the turmoil and
confusion in his mind over the two girls in his life, and how it all spiralled
out of his (and Jerrica's!) control.
THE STARLIGHT PROBLEM
The Starlight Girls are a major part of the Truly Outrageous storyline.
They and their house are the catalyst for Jerrica's first confrontation with
Eric Raymond, they are the reason that Jerrica decides to go to Howard Sands'
house in order to elicit his sympathy, and, most of all, they are the cause
and the effect of the Ashley situation. Early on it becomes clear that the
Starlight House doesn't have very much money, and that the girls are collecting
for a new fridge. You get the impression that it's eleven girls versus one
(ashley) at this point. Ashley is the "misfit" Starlight girl, badly behaved
and unhappy among the others. And the others do not give her much reason
to expect their friendship, either. After the situation with the honour jar,
Ashley is turned over to the other girls for punishment, and, led by Lela
and Becky, they tell her that she has to earn thirty dollars for the honour
jar, sparking Ashley to get the Misfits to pay her to let them into the
Mansion. Even though Ashley tried to redeem herself to the other girls by
risking her life to rescue the honour jar from the Starlight blaze, they
still press on her the task of earning the other thirty dollars regardless,
and then, when she actually appears with the money, they won't accept it
until she tells them how she earned it, because "how you earned the money
is as important as the money itself!" This is the last straw for Ashley
and the catalyst to send her off to the Misfits in search of people who better
understand her and who don't question her no matter how hard she tries to
do something right. I think that, though the Starlights were right to be
annoyed with Ashley for ripping them off, they push it too far with their
demands and Jerrica should not have turned Ashley over to them to deal with,
because in some lights you could see it as peer pressure and it's pressure
that Ashley cannot handle. She is clearly an unhappy child and yet none of
the Starlight girls try and do anything to help her.
KIMBER, THE REBEL
Even as early as Truly Outrageous, it's very obvious that Kimber does not
always see the world the same way as big sister does. Kimber is the real
musical talent - Eric talks about her writing the songs - and she resents
the fact that Jem gets all the attention (quite rightfully so, in my opinion,
since LinZ tries to interview "just jem", and Danielle Du Voisin talks about
a line of Jem clothing, rather than Jem and the Holograms. Kimber is also
fed up with the way Rio is acting and tries to tell him in Paris who Jem
really is. In honesty I feel that Kimber is threatened by Jem. Jerrica is
a very different type of character -responsible, probably a good student,
administratively capable. Kimber, on the other hand, is the bouncy, flirty,
fun loving Benton, and Jem's developing personality threatens to eclipse
her own in that department. You might also say that Kimber is grieving over
Emmet's death in her own way, because in later episodes it becomes apparent
how close they were, though it's hard to be really sure.
There is also an element of "being needed" about Kimber, (just as we later
see with Stormer, which is what makes these two characters so great together).
When the Holograms crash a radio station to beg her to return, she goes
back, realising that she isn't being pushed aside and that they really do
need and want her as part of the group. And despite all of this, Kimber confronts
Eric about the Misfits' unfair behaviour, in defence of her group and her
musical interests. You get the feeling though that Kimber has always intended
to go into the music business somehow, and that she's with the Holograms
because it's a chance for her to live that dream, but that a small part of
her always intended to be the one in the spotlight, and Jem's being centre
stage is something she resents.
PIZZAZZ
Ah, Pizzazz. What to say about Pizzazz?
The oddest thing about this character is that, given all of her bragging
later on in the series, there is no mention made of her links to Harvey
Gabor or her fortune. Not even the other Misfits know till the beginning
of Starbright, and yet there are clues in these episodes that suggest she
is used to finer living. She demands a music video on a huge budget, and
doesn't seem to accept Eric's explanation that it's not possible because
the money isn't there. And, most telling of all, is her treatment of Rio
- "if you get bored of working for Jem, you can always come and work for
me." This seems an innocent enough line, but if you think about it, Pizzazz
is talking like someone who is used to having people running around after
her. She says working for "me" and not for Eric or for the Misfits or the
music company as a whole - she is thinking like the billionaire's daughter
and probably her next move would be a bribe. And then there are the music
videos - the prizes of money, the servants and the chauffeurs that appear
- perhaps because it's the dreamed of success, but perhaps also because
it's a veiled hint of what Pizzazz really is - the only daughter of someone
with clout. Which brings me to the obvious question -why not mention her
father? Of course, it's possible that at this stage the writers had not
decided on this background for her, but I think it unlikely. And my plot-related
explanation would be that maybe she'd gotten involved in the Misfits without
her father's agreement or knowledge, and that it's only when things fall
apart at the end of the Battle of the Bands that she actually goes to him
for his support.
The Pizzazz and Rio thing is a strange plotline as well throughout the
episodes. Two or three times Pizzazz tries to get Rio to come over to her
side, she flirts and is rejected, causing her to shriek with rage. In Takin'
It All's music video, there is money with his face printed on it and at
the end she is in the back of the car with her arm around him. In the Winnin'
Is Everything video she is also taking him away from Jem, all of which suggests
romantic competition between Pizzazz and Jem for Rio for the remainder of
the series. But it really doesn't pan out that way, because as time goes
on Pizzazz's use of Rio seems more to manipulate and cause trouble than
it does out of any romantic interest, leading me to believe that was probably
her motivation all along. In fact, as time progresses, Pizzazz's main romantic
rival is Kimber, and not Jem. Pizzazz's focus is being the best whatever
it takes, and if nothing else, Truly Outrageous proves she can take and hold
a grudge for a long time. Failure is not an option - "We're still the Misfits!
And whatever it takes, we're gonna get even!". (This too is a hint that she
has power and money behind her, because whilst Roxy and Stormer seem distressed
that Jem won and maybe are worried about the future of their band, Pizzazz
acts like that side of it is not problematic, she's just angry that Jem pipped
her.)
One other thing that has to be mentioned here is Pizzazz's touch of death
when it comes to machinery of any kind. It's Pizzazz who almost drives the
yacht into the oil ship, and Pizzazz who causes the set of Linz's show to
come crashing down. And anyone who's seen her drive will know that not many
vehicles would last long in her hands!!
SYNERGY and THE MAGIC OF ILLUSIONS
When you think about all the bonuses, positives and advantages Jem has
on her side, it makes you really wonder how good an act the Holograms really
are, and whether they would have survived at all in the six months against
the Misfits without all of the big budget help that they received. Free
flights to Paris, their music video paid for by Howard Sands, promotion
from LinZ Pearce and, of course, Synergy. Synergy in herself is a huge advantage,
and one that must not be underestimated. It is Synergy who kicks off Jerrica's
comeback against Eric by appearing to her in her bedroom. It's still a mystery
how a holographic computer could have had the earrings delivered to Jerrica,
so all that I can think of is that Emmet must have entrusted them to someone
to deliver to her after his death. But Synergy takes it upon herself to
summon Jerrica, and proves throughout that she is capable of independant
thought. The music video to She's Got The Power probably exhibits
best Synergy's unique talents, but also her sense of personality and mischief,
too. She is very much a part of the Holograms' fight and remains their most
loyal ally for the entirety of the Jem series.
ROXY
There isn't a lot to say about Roxy in Truly Outrageous, except for her
curious character alignment with Pizzazz. Though they are often a team later
on, in Truly Outrageous they are double trouble, leaving Stormer out on a
limb fairly often. This is strange to me because of Stormer and Roxy's later
bonds, but yet there are still hints of it here. It's Roxy who observes that
Stormer has "gone soft" where Ashley is concerned, for example.
Roxy is fairly neglected in favour of the dominant Pizzazz and the sweet
Stormer, which is a shame because in later episodes we see what a complex
and cool character she can really be. But one thing does stand out - her
interest in gadgets. She's fascinated by the JCB at the Sands estate, even
to the point of joyriding it!
ERIC RAYMOND and STARLIGHT MUSIC
It's been argued time and time again about how ruthless Eric Raymond is,
and whether or not his intentions towards Jerrica are evil or not. Personally,
I don't think evil is the right word. He is a businessman, and he has a
strong affinity with Starlight Music, sometimes to the exclusion of all
else. I think that the company perhaps means more to him than he ever lets
on, because his attitude towards Jem and the others changes as the show goes
on. He begins with Zipper just "making them nervous" - obviously not meaning
them any harm. But then he sends Zipper to Paris to stop the video "any
way he can" (Which Zipper interprets as trying to squash them with a gargoyle,
nice!) and finally he takes Ashley hostage in order to get Jem away from
the Music Bowl. This is significant because he actually says to Jem that
"The Misfits will win by default and Starlight Music will be mine." Not
that the Misfits will be great, or the next big thing. His concern is with
the music company. He tries to lure Kimber away with the promise of a music
contract (an act he later repeats in Starbright, so he is serious about
her talent), proving his loyalties are not entirely with the Misfits but
with what the Misfits' actions can do to further his cause where Starlight
Music is concerned. This might also explain the controversial and out of
character slap he gives Jerrica at the end of the extended Battle of the
Bands episode.
However, it must also be said that he does have some fondness for the Misfits
and for their safety. When Zipper plants a bomb at the Mansion and Eric
realises that the Misfits are there he screams to them to get out because
there is a bomb, throwing all caution to the wind. I'd like to think that
at that point he was more concerned with saving their skins than destroying
the opposition :)
RIVALRIES
It wouldn't be a Jem episode analysis without discussing the various
rivalries that this pilot throws up. There is Roxy and Aja - Aja is the
one who stops the JCB after Roxy abandons it to tear up Howard Sand's estate.
There is also an interesting hint of Zipper vs Kimber, as Zipper tries to
grab Kimber in Paris and it's Kimber who he shoves out of the way at the
Starlight House, causing her to drop the flame lantern. This is interesting
because of the events of Hot Time In Hawaii, when they clash again. Pizzazz
and Jerrica/Jem's rivalry is blatant and does not need me to explain it here,
but Eric and Jerrica's and Eric and Rio's rivalries are also begun in these
few episodes. Rio gets to land his first fist on Eric's jaw, saying "there's
something to remember me by", and Eric glowers at him, saying "I'll remember."
Something else I must mention is that even as early as Truly Outrageous,
the Holograms are as preoccupied with being one up against the Misfits as
they are to save Starlight Music. Shana comments that "being our warmup
act will really drive the Misfits wild!" and Kimber, before the battle of
the bands exclaims how they "have to look better than the Misfits!". It
is no coincidence (yet beautifully Freudian) that "Outta My Way" is the instrumental
music playing in the opening scene, as Jem steps from her limo to greet her
adoring fans!
THE RIGGED CONTESTS
Oh yes. The initial battle of the bands. This always puzzles me, because
somewhere along the line we get told that this is a rigged contest, because "Eric made sure the other bands are so lousy that we [The Misfits] will
sound terrific." but it's a battle of the bands. And Eric has invited three
other local acts to take part - the Leatherettes, Space Cadets and Limp
Lizards (who go on to become repeat Jem extras as the show continues!).
And maybe their music is not up to scratch, but it's not a rigged contest
because it's not paying someone to judge the Misfits the winner, or preventing
the public from choosing their own winner. Because of this, the Misfits
should have won fair and square. However, Jem's intrusion cannot be seen
as winning the battle of the bands, even if she wins the popularity vote,
because she was not officially invited to take part by Starlight Music's
administration. This leaves the whole of the Battle rather in confusion!
There is no doubt that Eric tried to rig the second Battle of the Bands,
however, by kidnapping Ashley and luring Jem and co. away from the Music
Bowl. And yet before Jem starts to play, Howard Sands announces the Misfits
as the winners...
So shouldn't that void Jem's performance? (grins). No, probably not. At
the end of the day, the Holograms had so much to lose that it was imperative
for them to win the contest. The Misfits in some ways were stronger, because
they had the untapped resources of Pizzazz's father and the canny, experienced
brain of Eric Raymond to see them through. If they had won the contest,
then they would have gone onwards and upwards with little trouble. But if
the Holograms had lost, the Starlight House would have closed, the girls
would have been sent elsewhere and Jem and the Holograms would likely have
been no more. When you're playing for those kinds of stakes, you have to
concede that ol' Pink Hair needed to win that contest - and therefore the
right band won on the day :)
CONCLUSION
The animation of Truly Outrageous/The First Five Episodes is some of the
poorer animation used for the series. There are some weird errors - at one
point Roxy gets Pizzazz's hair, and Jerrica's dress is perpetually shown
in the wrong colours, whilst her hair is all over the place. Yet despite
that it's a neat encapsulated five part episode which tells a story within
a series and sets the scene for the rest of the episodes.
Some things, however, are explained too simply, likeJerrica's father leaving
them all that stuff, and why everyone seems willing to jump on the Jem bandwagon
in a distinctly unrealistic manner. There is also the question of why Jerrica
gets everything and not Kimber. But overall a good introduction to the show,
with a very special Misfit performance from Stormer :)
Episode rating: 7/10
Original site concept c. 2001
This version c.2014
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